LFU/16

NOTICE

La Furia Umana has changed its publication polices. We have started publishing a paper edition and only some of its contents will appear online. We will continue to publish reviews of recent film and video work along with other articles of interest on this site, but our dossiers on directors, as well as the "Prima Linea" and "Histoire(s) du Cinema" sections will only be available in complete form in our paper edition. Paper edition of La Furia Umana is available here. 

editorial

(S)elective Affinities / Toni D'Angela

confidential report

George Cukor

Dan Sallitt / George Cukor: A Life of Grand Gestures

Marie-Pierre Duhamel Muller / The audience is watching.

     Notes sur des photogrammes

                       de quelques films de George Cukor 

Monica Delgado / De The Philadelphia Story a High Society:

la limpieza moral de un remake 

Marilyn Moss / George Cukor and Katharine Hepburn:

       Some Thoughts on a Long Friendship

Abel Ferrara

Brad Stevens / Abel Ferrara

Julien Oreste / Vagues noires. The Blackout

Bidhan Jacobs / L'exaltation du reseau numérique

               dans 4:44 The Last Day on Earth

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Daisuke Akasaka / The machine captures sensuality

                  and instability

prima linea

Toni D'Angela / Flight (Robert Zemeckis)

Marco Grosoli / Tabu (Miguel Gomes) 

Michael Guarneri / Public speaking about Public hearing 

                 (2012). Interview to James N. Kienitz Wilkins

histoire(s) du cinéma

Raquel Schefer / The Lived Cinema of Robert Kramer:

               politics and subjectivity

l'occhio che uccide

Carlos Losilla / Intervenciones #6

the new world

Louis-Georges Schwartz / On Christina McPhee's Shed Cubed

La Furia Umana ISSN: 2037-0431