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A Brief Remembrance of Things I Heard from Julio in 11 years of Friendship
February 13 1946 on the beach Julio Eduardo João Carmen Leblon Pedras do Leblon at the foot of the Dois Irmãos hill sea swim sea to sea sea see see the sea the sounds of pianos coming from the windows of the houses in Dias Ferreira street in Leblon car cinema at night patchwork quilt in the summer trip to Campanha horseriding through Minas Gerais oh Minas Gerais! Cinema at night in Campanha Cleopatra Julius Caesar American films in Campanha trip to Europe nightclubs girls 13 years old United States Interval and Survival Leblon Leblon canal the first 16mm camera the first Godard Antonioni the concrete poetry of Haroldo de Campos Augusto de Campos Decio Pignatari the formative films Os Fragmentos da Vida (The Fragments of Life) Major Thomas Reis o Aitaré a Praia Limite (Limit) the first short-length films Lima Barreto Maria Bethania up close the first blow up 16-35 the first assistance O Menino do Engenho Paraiba Viagem ao Fim do Mundo (Journey to the End of the World) Minas Gerais set locations O Padre e a Moça (The Priest and the Girl) Helena Venancio Flores street the first feature-length film Cara a Cara (Face to Face) Paris 5 films a day at the Cinemathèque Française a sandwich in the backpack Locarno Cara a Cara (Face to Face) Cannes Cara a Cara (Face to Face) Cannes May 69 j'avance masqué the caraiba instinct 2 films in a row 3 weeks of filming Maria Gladys Norma Benguell Hugo Carvana Milton Gonçalves Guilherme Vaz's concrete music 10-minute-long closing shot of an empty road O Anjo Nasceu (The Angel Was Born) Matou a Família e Foi ao Cinema (He Killed his Family and Went to the Movies) Marcia Rodrigues Antonio de Oliveira Renata Sorrah November 1969 Brasilia Festival A Mulher de Todos (Everyone's Woman) Rogerio Sganzerla O Anjo Nasceu (The Angel Was Born) Julio Bressane we the beings of inimitable lives meeting
cinema + affection = Belair
1970 Black Women as Jockeys Odalisques in Catumbi xxx xxx xxx xxx Oswald de Andrade Noel Rosa Noel de Andrade Oswald de Rosa Oswald Noel Rosa de Andrade Grande Otelo Kleber Santos Guara old unforgettable Guara Helena Ignez Maria Gladys A Familia do Barulho Belair Bressane Sganzerla Sganzerla Bressane Belair
The millionaire contribution of all the errors the slang the badly pronounced words a transcription for the cinema the veils the clappers all the rejected material transvalued Interval and Survival HORROR TERROR BELAIR Teresopolis painter's house a 19th century studio with skylights curtains plants filters it's not you that see the object, it's the object that sees you HORROR TERROR BELAIR Barão Olavo o Horrivel (Baron Olavo the Horrible) Lilian Lemmertz Helena Ignez Rodolfo Arena Cuidado Madame (Watch Out Madam) my maid stabbed my wife to death I'm a bankrupt widower HORROR TERROR BELAIR Brazil is a really blessed land Brazil is a really blessed land HORROR TERROR BELAIR Maria your name begins in the palm of my hand Gladys Helena Ignez Suzana de Moraes Renata Sorrah HORROR TERROR BELAIR during the mixing in Mexico street in Severiano Ribeiro's Atlantida Studio a sudden visit to the Brazilian army's pink house in Maracanã a question which is the best way to die? the unexpected exile in Paris visit to the filming of Peau d'Âne Jacques Demy Catherine Deneuve Julio Bressane Rogerio Sganzerla Helena Ignez Éclair laboratory edition Cuidado Madame edition Sem Essa Aranha post production Cuidado Madame post production Sem Essa Aranha Screenplays Screenplays Screenplays Screenplays Screenplays SOS Brazil London London London summer in Spain
Julio Rosa Julio Rosa Julio Rosa Julio Rosa Julio Rosa Julio Rosa Julio Rosa
London the pathology creates the style As Memorias de um Estrangulador de Louras (The Memoirs of a Strangler of Blondes) Crazy Love Guara at the Electric Cinema the Belair films Grateful Dead LSD books books books books books books books books books books books a date at Piazza San Marco Venezia Rosa Julio Tonacci the car rides to Orient Turkey Sirian Iran Afeganisthan Pakhistan Índia Nepal the old Nepal 001 New York 72 Helio Oiticica Miguel Rio Branco Rosa Dias Julio Bressane Tear Panther Interval and Survival Leblon 73 man of the desert man in the desert O Rei do Baralho (The King of Cards) journey across Brazil 1234
Tande
Interval and Survival O Monstro Caraiba (The Caraiba Monster) New Ancient History of Brazil wake up Brazil wake up Brazil wake up film in 1 day myths of pre-America Interval and Survival at the foot of the Dois Irmãos hill O Sétimo Céu Viola Chinesa (Chinese Guitar) my meeting with Brazilian cinema Grande Otelo Julio Bressane A Agonia (The Agony) the person that has reached the limit of his power Mario Peixoto Seventh Heaven Rio de Janeiro city of love and joy that is sweeter than an illusion sensitive city irresistible city of love woman-city Noel Rosa Fernando Pessoa Noel Pessoa Fernando Rosa convertible car Gladys Barcellos do you prefer breast or thigh? this film inter-rupts itself this film is endless O Gigante da America (The Giant of America) Valadão Lewgoy Grey Rogeria
Noa
City Pagan Innocent Cinema Radar Thomas Edison Mangue canal 82 Taboo Caetano Arnaldo Colé Lewgoy Guara Lamartine Oswald João do Rio Mario Peixoto Edgar Brasil 85 Bras Cubas the opening sequence of the microphone on the skeleton beginning of the association with cinematographer Jose Tadeu Ribeiro under the sun under the saving sky the sermon the story of Antonio Vieira the 90's the re discovery of Julio's works in Europe begins in Taormina in Italy hooray for Italy! who was Isadora Duncan's fortunate guest? Oswald de Andrade Galaxy Albina Galaxy Dark Galaxy Haroldo de Campos Cinema of the Cinema Antonioni Hitchcock the image in flight O Mandarim (The Mandarin) Fernando Eiras Mario Reis I want a little photo of you because I'm going to have a cliché of you made the first exhibition in Venezia Lungomare Miramar Cinema Miramar João Miramar movie Miramar Lungomare Miramar Paraiba São Jeronimo man of the desert São Jeronimo Laje Park São Jeronimo Lungomare Miramar São Jeronimo Patchwork Quilt Interval and Survival in Leblon in year 0 it's winter in Niemeyer avenue in Tande and Moa's house the production of Dias de Nietzsche em Turim João Caetano Noa Bressane Rosa Dias Fernando Eiras Bruno Safadi Julio Bressane lots of bread and conversations about Nietzsche filming in 1 week montage in 8 months the first transfer in Brazil the first exhibition New Territories Lungomare Miramar Venezia Interval and Survival Gaspar an (un)common man Hilda an (un)popular woman Matilda an (un)usual woman the 3 Graces Beauty Love and Pleasure Abigail Talia and Eufrosina love is war the sweetest of combats Filme de Amor (A Love Movie) first association with cinematographer Walter Carvalho the blood of the whale a sea in menstruation sails capsize in the white turbulence call me Ishmael Haroldo de Campos for Julio Bressane “It was in 2002. I was julio Bressane's assistant in Filme de Amor. We were looking for a location in the Love's House hotel in the centenarian Lapa district in Rio de Janeiro, when Julio touched the grimy time-worn walls and said: if we could hear all the stories that are bound within these walls we would observe a sea of stories, of lives, of feelings, of sounds. Listen, Bruno!” Interval and Survival.
João
05 06 07 I'm Cleopatra I'm Alexandria I'm Athens Photogram Photoplot Photodrama Cleopatra your eyes say more than many libraries Venezia Lungomare Miramar 08 A Erva do Rato (The Rat’s Herb) nothing lasts in this world not even our problems Alessandra Negrini Selton Mello one month of montage in Rodrigo and Noa's house the first exhibition Venezia Lungomare Miramar
Eva Whoever asks gets the preference I live on as I can it's not the moment it's a lot of things besides the phenomenon! I feel like abolishing time and staying forever now
Interval
Survival
Love
Fati
Bruno Safadi Rio de Janeiro, March 15, 2011
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